Blackmagic Introduces New ATEM Constellation HD Switchers
Blackmagic Design has announced a new family of live production mixers that include powerful broadcast features, while including the latest electronic technology so they are extremely affordable.
The new models are a 1 M/E model with 10 3G‑SDI inputs, a 2 M/E model with 20 3G‑SDI inputs and a 4 M/E model with 40 3G‑SDI inputs. All models include full standards conversion on every SDI input, 4 ATEM advanced chroma keyers per M/E row, one DVE per M/E row, media players, larger media pool and more. These new switchers are designed as a professional upgrade for ATEM Mini customers who need to expand, or for larger broadcasters who want to upgrade their studios to a modern switcher. ATEM Constellation HD switchers are available immediately from Blackmagic Design resellers worldwide starting at $995.
ATEM Constellation HD switchers will be showcased on stand N302 at Blackmagic Design NAB 2022.
ATEM Constellation HD switchers feature a compact rackmount design with an integrated control panel. This enables mixer operation, critical during setup or for emergency use. Also included is a large
LCD display allowing customers to view program output and change mixer settings via on-screen menus. The compact design is perfect for portable live production, with the rear of the mixer including connections for 3G-SDI inputs, 3G-SDI auxiliary outputs, balanced audio and Ethernet for monitoring. The Top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections.
With an integrated front panel control panel, customers can simply mount and operate ATEM Constellation at any time. Additionally, the front panel control knobs are the same high-end type used on full-size models.
panels so they are extremely reliable. Customers can even control keyers, media and fade-to-black from the front panel. Additionally, the front panel LCD display and menu buttons also provide access to almost all of the switcher’s operational features.
The ATEM Constellation HD range includes models with up to 40 independent 3G-SDI inputs, with each input featuring its own dedicated upconverter and crossover. This means that it is possible to convert any 1080p input source to the video standard of the switcher. This means customers can have each switcher SDI input running a different TV standard and all inputs will just work.
The ATEM Constellation HD family features a large number of fully independent 3G-SDI outputs. Even the small 1 M/E model has 6 3G-SDI outputs. Then the 2 M/E model has 12 3G-SDI outputs and the 4 M/E model has 24 massive 3G-SDI outputs. These SDI outputs are very powerful because customers can independently route any SDI input or any internal source to each SDI output. Or use the SDI outputs for ISO recorders, where each deck will receive a reclocked switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.
Built-in multiview allows customers to monitor multiple sources on a single monitor. The 1 M/E model includes 1 multi-view, the 2 M/E model has 2 independent multi-views and the 4 M/E model has 4 independent multi-views. All external SDI inputs, as well as all internal video sources can be routed to any view. All multiple views are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. Customers can add the pointing border plus source label and overlay VU meters on each view. Additionally, a red and green border will display the count on each view, so customers know which sources are on air.
ATEM Constellation HD includes a wide range of native broadcast quality transitions such as mix, dip, wipe, etc. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current image off the screen, revealing new video below. The DVE can even be used to create graphical pane transitions.
To keep teams working as one creative team, ATEM Constellation has built-in talkback. Talkback supports a 5-pin XLR headset connector, as well as a rear-mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. Customers get full talkback control, including program and engineering loops, side-effect control to hear the headset mic in the headset, and program mixing. ATEM Constellation HD also supports SDI talkback which uses SDI channels 15 and 16 for two-way communication with Blackmagic Design cameras. Customers can even use channels 13 and 14 for technical talkback.
The built-in media pool stores quality RGBA graphics and animations that can be instantly played by the 2 or 4 media players. The built-in media pool contains graphics for use with media players and the 1 M/E model can hold 20 still images and 200 frame animations, the 2 M/E model can hold 40 still images and 400 frame animations and the 4 M/E model can hold 60 still images and 600 frame animations.
For news or virtual set work, the ATEM Constellation HD is perfect as it features many advanced ATEM keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and has a color picker to sample background colors for automatic generation of key settings. Customers get fine controls for edges and highlights, and there’s even a foreground color corrector so customers can match the “look” of the foreground layer to the background layer, which allows homogeneous compositions. The keyer can also be used for pattern keying and DVE. Customers receive 4 ATEM Advanced Keyers on the 1 M/E model, 8 ATEM Advanced Keyers on the 2 M/E model and 16 ATEM Advanced Keyers on the 4 M/E model.
With 4 upstream chroma keyers per M/E row, customers get the perfect solution for creating virtual sets. With so many advanced ATEM chroma keyers, customers can use one keyer per camera to create a seamless camera composition against the custom background. Even the 1 M/E model has enough keyers to generate a virtual set of 4 cameras. Customers can use external image processors for virtual sets, or customers can even create a still camera virtual set by loading pre-rendered still image backgrounds from media players and media pool . Customers can configure macros to change cameras and load the correct background in media players. With so much flexibility, customers can experiment with different studio setups.
In addition to the DVEs in the M/E rows, the 2 M/E and 4 M/E models include powerful SuperSource multilayer processors with 4 additional DVE layers plus a background layer, all of which appear at ATEM Constellation HD as an additional input. The source. Any switcher video input can be used for each SuperSource DVE, then everything is overlaid on a custom media pool background. SuperSource is like having an extra multi-layered VFX switcher built-in. SuperSource is perfect for making picture-in-picture displays for interviews, as customers can configure the effect while keeping the main DVEs free for other tasks. The ATEM 4 M/E Constellation even has 2 totally independent SuperSource processors.
The SDI inputs also handle embedded audio and mix audio from all video inputs. Additionally, program outputs include talkback, pointing, and camera control information. This means that customers can connect any SDI output from the switcher to the camera for program return, camera control and talkback.
With a built-in Fairlight audio mixer, ATEM Constellation allows for extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the largest audio mixer in a live production mixer. Audio is de-embedded from all SDI video inputs and passed to the audio mixer. Then the 4 M/E model has additional audio mixer input channels for MADI audio inputs. Each input channel features the highest quality 6-band parametric EQ, compressor, limiter, expander and noise gate as well as full panning. Customers get additional channels for analog input, response microphone, and media players. All of this audio power can be controlled via ATEM Software Control or a Mackie compatible panel.
The ATEM Software Control Panel gives customers full control over their switcher and is included free of charge. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. ATEM Software Control also gives customers access to camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. Customers can even save the full state of the mixer as XML files, and all media is backed up from the media pool.
All rows of M/E buttons include built-in LCD screens for dynamic input button labeling. The 1 M/E model features a single row M/E with 10 input buttons. The 2 M/E model has 2 rows M/E with 20 input buttons. The massive 4 M/E model features 4 rows M/E with 40 input buttons per row and 4 independent system control LCD displays.
Unlike other blenders, all features are included in the purchase price. This means customers get all features fully enabled and always ready to use. There are no license fees to allow customers to use the features and no ongoing monthly fees. This means users will never see a license expire 5 minutes before their program starts. Advanced features such as multiview, SuperSource, DVE or advanced ATEM keyers are always on and always ready to go.
“We’re excited to introduce these new live production switchers, as many high-end broadcasters don’t need Ultra HD, but they still need to upgrade their studios,” said Grant Petty, CEO of Blackmagic Design. “Additionally, many of our ATEM Mini customers have grown and done innovative work. They are now looking to upgrade and purchase more advanced mixers that can keep up with their work as their broadcast channels grow. It’s a very exciting time!
ATEM Constellation HD switchers are available now from US$995, excluding local duties and taxes, from Blackmagic Design resellers worldwide.